Τρίτη 5 Ιουλίου 2022

https://www.facebook.com/photo?fbid=5284104408351301&set=a.103548646406929 Excellent cover and the poems of the friends are beautiful An amazing job by all. To thank brother and friend Agron Shele for publishing the Anthology Another gem of Atunis magazine Congratulations to everybody The efforts of poets are always crowned with success Congratulations to all my friends! I wish you all the best! Thank you very much for your cooperations! Agron Shele


Πολύ καλά νέα σήμερα το πρωί! Ποιήματά μου στη διεθνή ανθολογία της AtunisPoetry, Βέλγιο/Αλβανία.
Ειλικρινείς ευχαριστίες στον Agron Shele για την προετοιμασία και την οργάνωση αυτής της ανθολογίας, και ευχαριστώ όλη την ομάδα


Ειλικρινείς ευχαριστίες στον Agron Shele για την προετοιμασία και την οργάνωση αυτής της ανθολογίας, και ευχαριστώ όλη την ομάδα
Excellent cover and the poems of the friends are beautiful
An amazing job by all. To thank brother and friend Agron Shele for publishing the Anthology
Another gem of Atunis magazine
Congratulations
to everybody
The efforts of poets are always crowned with success
Congratulations
to all my friends! I wish you all the best! Thank you very much for your cooperations!



Δυο απο τα ποιηματα μου ΥΠΑΡΧΟΥΝ ΑΝΘΡΩΠΟΙ ΚΑΙ ΤΟ ΠΕΤΡΙΝΟ ΛΟΥΛΟΥΔΙ



 
ATUNIS GALAXY ANTHOLOGY – 2023

ANTHOLOGY OF CONTEMPORARY
WORLD POETRY
ATUNIS POETRY

LEADERSHIP STAFF:

Editor in Chief: Agron Shele
https://atunispoetry.com
Deputy Editor in Chief: Hannie Rouweler
Alicja Kuberska
Sunita Paul
Deputy Editor in Chief : Hasije Selishta Kryeziu
Susana Roberts
Editor: Pavol Janik & Dr. Claudia Piccino
Responsible for Literary Information: Merita Paparisto
Responsible for Literary Information: Eden S. Trinidad
Consultant: Peter Tase https://petertase.com/
Consultant: Lumo Kolleshi & Isilda Nunes
Literary Editor: Raimonda Moisiu & Dr. Jernail Singh Anand
Graphics: Irina Hysi & Alba Xhava

Advisory Board: Dr. Maria Miraglia, Caroline Nazareno-Gabis, Juljana Mehmeti, Günsel Djemal, Sinan Vaka, Dr. Eftichia Kapardeli, Lumo Kolleshi, Luz María López, Rami Kamberi, Leyla Işık, NilavroNill Shoovro, Milica Jeftimijević Lilić, Rozalia Aleksandrova, Dr. Sungrye Han, Leda García Pérez, Roula Pollard.

Every Collaboration: Dr. Aprilia Zank, Dr. Ermelinda Kashah, Alicia Minjarez Ramírez, Elvira Kujović, Alisa Velaj, Bilall M. Maliqi, Kujtim Morina, Dr. Tarana Turan Rahimli, Anton Gojcaj, Enertin Dheskali, Lali Tsipi Michaeli.

WITH ATUNIS IS WELCOMED
A PUBLICATION OF POETICAL GALAXY ATUNIS

Table of Contents

A

Prof. Antoon Van den Braembussche (Belgium)
Adolf Pavlovich Shvedchikov (Russia)
Anna Keiko (China)
Ann Christine Tabaka (USA)
Agron Shele (Albania – Belgium)
Alicja Maria Kuberska (Poland)
Alisa Velaj (Albania)
Alexander Pak (Russia)
Dr. Aprilia Zank (Romania- Germany)
Antje Stehn (Germany)
André Schinkel (Germany)
Armenuhi Sisyan (Armenia)
Asoke Kumar Mitra (India)
Arabella Salaverry (Costa Rica)
Abdukakhor Kosim (Tajikistan)
Alaa Hasanin (Saudi Arabia - Egypt)
Ana P de Madureira (Portugal)
Ahmed Raffa’a (Iraq)
Ana Toma (Albania – USA)
Astrid Sofía Pedraza De La Hoz (Colombia)

B
Beatriz Saavedra Gastélum (Mexico)
Boyan Angelov (Bulgaria)
Bezdenezhnykh Marina Alexandrovna (Russia)
Bilall M. Maliqi (Presheva)
Borche Panov (North Macedonia)
Berkinalieva Sagynbubu Abdusamatovna (Kyrgyz Republic)

C
Cornelia Marks (Germany)
Dr. Claudia Piccinno (Italy)
Carlos Mijares Poyer (Venezuela)
Christine Hoba (Germany)
Caroline Nazareno-Gabis (Philippines)
Caroline Laurent Turunc (Turkey – France)
Christopher Okemwa (Kenya)

D
Dimitris P. Kraniotis (Greece) – President WPS
Daniela Andonovska Trajkovska (North Macedonia)
Domenico Pisana (Italy)
Dessy Tsvetkova (Bulgaria)
Dimitria Chakova (Bulgaria)
Duan Guang’an (China)
Darija Žilić (Croatia)
Dévora Dante (Colombia)
E
Dr. Eftichia Kapardeli (Greece)
Elida Rusta (Albania)
Elena Liliana Popescu (Romania)
Elvira Kujović (Serbia- Germany)
Elena Ananyeva (Ukraine - Germany)
Ermira Çela (Albania -USA)
Eden Soriano Trinidad (Philippines)
Eva Petropoulou Lianoy (Greece)
Ewa Maria Zelenay (Poland)
Ekene May (Nigeria)
Emna Codepi (Colombia)
Eliza Segiet (Poland)
Ewith Bahar (Indonesia)
Elham Hamedi (Iran)
Eliana Vanessa (Argentina- USA)

F
Francisco Azuela (Mexico)
Frans A. Brocatus (Belgium – Netherlands)
Dr. Arch. Franca Colozzo (Italy)
Fahredin Shehu (Kosova)

G
Germain Droogenbroodt (Belgium)
George Onsy (Egypt)
George Wallace (USA)
Gülten Doğruyol İnce (Turkey)
Gina Carrillo (USA)
Geula Hodes-Palchan (Israel)
Gabriele Galloni (Italy)

H
Hannie Rouweler (Netherlands)
Hussein Habasch (Kurdistan)

I
Iryna Vikyrchak (Ukraine)
Isilda Nunes (Portugal)
Ismael Diadié Haidara (Mali)
Iva Katundi (Albania)
Iris Calif (Israel)

J
Acad. Prof. Jeton Kelmendi PhD (Kosova)
Dr. Jernail Singh Anand
Juan C. Tajes (Uruguay – Netherlands)
Juljana Mehmeti (Albania – Italy)
Josep Piella Vila (Spain)
Jesús Girón Araque (Spain)
Dr. Jawaz Jaffri (Pakistan)
Jiang Mo (China)
Jovanka Stojčinović Nikolić (Bosnia & Herzegovina)
Jacek Jaszczyk (Poland)
Joanna Svensson (Sweden)
John Grey (Australia)

K
Kristen Scott (USA)
Kadrush Radogoshi (Kosova)
M. Sc. Klejda Plangarica (Albania)
Krishna Prasai (Nepal)
Khosiyat Rustam (Uzbekistan)

L
Acad. Prof. Dr. Liviu Pendefunda, H.D.Litt (Romania)
Lucia Daramus (Romania - UK)
Luan Rama (Albania)
Lidia Chiarelli (Italy)
Prof. Dr. Laksmisree Banerjee (India)
Leyla Işık (Turkey)
Ledia Dushi (Albania)
Luz María López (Puerto Rico)
Leonard Ifeanyi Ugwu, Jr. (Nigeria)
Leda García Pérez (Costa Rica)
Li Shaojun (China)
Lou Fu (Hsu, shih-ting – Taiwan)
Lucilla Trapazzo (Switzerland – Italy)
Lily Swarn (India)

M
Maram al-Masri (Syria – France)
Mimoza Ahmeti (Albania)
Prof. Dr. Milutin Đuričković (Serbia)
Maki Starfield (Japan)
Moaen Shalabia (Palestine)
Maja Herman Sekulić (Serbia – USA)
Michael Lee Johnson (USA)
Milica Jeftimijević Lilić (Serbia)
Mammad Ismayil (Azerbaijan)
Maria do Sameiro Barroso (Portugal)
Miladis Hernández Acosta (Cuba – Spain – Brazil)
Michela Zanarella (Italy)
Mordechai Geldman – Israel (1949-2022)
Mar Thieriot (Canada)
Mai Văn Phấn (Vietnam)
Merita Paparisto (Albania – Canada)
Marlene Pasini (Mexico)
Dr. Masudul Hoq (Bangladesh)
Maja Milojković (Serbia)
María Ángeles Lonardi (Argentina)
Mitko Gogov (North Macedonia)
Margaret O'Driscoll (Ireland)
Miljana Živanović (Switzerland)
Milisav Rosic (Montenegro)

N
Niels Hav (Denmark)
Neil Leadbeater (UK)
NilavroNill Shoovro (India)
Ndue Ukaj (Kosova)
Natalia Govsha (Canada)
Ngoc Le Ninh (Vietnam)
Nikola Yozgof-Orbach (Israel)
Natalie Bisso (Russia - Germany)

O
Önder Çolakoğlu (Turkey)
Osvaldo Sauma (Costa Rica)

P
Mgr. art. Pavol Janik, PhD (Slovakia
Panagiota Christopoulou- ZALONI (Greece)
Peter Andrej (Slovenia)
Peter Kraevski (Bulgaria)

R
Richard W. Spisak (USA)
Rudina Çupi (Albania)
Rozalia Aleksandrova (Bulgaria)
Dr. Rati Saxena (India)
Richard Davies (Canada)
Rahim Karim (Kyrgyzstan)
Rolf Doppenberg (Switzerland)
Rania Angelakoudi (Greece)
Rehmat Changaizi (Pakistan)
Rumyana Nikolova (Bulgaria)
Ryan Quinn Flanagan (Canada)
Rajashree Mohapatra (India)

S
Susana Roberts (Argentina)
Sadik Bejko (Albania)
Sunita Paul (India)
Dr. Sungrye Han (韓成禮, 한성례 - South Korea)
Scott Thomas Outlar (USA)
Sabrina De Canio (Italy)
Sudhakar Gaidhani (India)
Sandrine Davin (France)
Satis Shroff (Germany)
Sahar Ajdamsani (Iran)
Shoshana Vegh (Israel)
Shrouk Hammod (Syria)

T
Dr. Tzemin Ition Tsai - Republic of China (Taiwan)
Teresa Jolanta Podemska – Abt (Australia)
Dr. Tarana Turan Rahimli (Azerbaijan)
Tatiana Terebinova (Russia)
Triin Soomets (Estonia)
Taghrid Bou Merhi (Lebanon)

V
Vadim Terekhin (Russia)
Virginia Fernández Collado (Spain)
Valentina Novković (Serbia)
Vasiliki Karatasiou (Greece)

W
Wiljan van den Akker PhD (Netherlands)

Y
Yuray Tolentino Hevia (Cuba)

Z
Dr. Zhang Zhi (China) – President IPTRC
Zydi Morava – Albania (1946-2010)
Zoran Pevec (Slovenia)
Zhou Duanzhuang (China)
Zbigniew Mirosławski (Poland)
Zbigniew Roth (Poland)

Painters

Jacqueline Ripstein (USA)
Hannie Rouweler (Netherlands)
Lidia Chiarelli (Italy)
Miradije Ramiqi (Kosova)
Irina Hysi. MA (Albania)
Giorgio Fileni (Italy)
Leyla Isik (Turkey)

Introduction – Editorial Staff of “ATUNIS”

***
We stick to poetry, its brilliance and traumas, the babbling and predominance of the imagination, holding the only eye of perceptions of the sound and the outstanding scratch of feelings, which touches the highest levels and borders in the consciousness of the present time, the past, keeping the future in mind, and sets thousands of desires and passions on fire.

Agron Shele, editor

POETS AS DREAM CATCHERS

In today's world, it is also poets who try with their verses to provide answers and reflections on all the consequences of, in particular, disputes, humanitarian disasters, wars resulting in countless displaced refugees seeking refuge in other countries. It sometimes seems that changes never come, despite the many efforts of world leaders, organizations, individuals, artists and poets and other groups to focus attention on a safe and habitable planet for all. More and more outbursts of violence, as if we still live in ancient times long gone with tribal wars, about which more and more documentaries are made, even films that record the cause and effect of all those different insights, historically grown differences that without goodwill, without tolerance, cannot be resolved without mutual consultation between the parties involved, or only partially and therefore temporarily until the flames start again.
Ultimately, everyone benefits from inhabiting a peaceful planet where every individual, young and old, can feel nurtured in a respected and safe environment.
The poets who are looking for changes write about this, in many different ways. Sometimes direct, sometimes veiled. Because practically spoken often little effect is achieved, they portray a different image to readers and people in general, a possible reality or use their words to indicate what needs to be changed in society, such as a fair distribution of wealth, sharing concerns about existence and showing their involvement, including the climatic changes visible through extreme drought, high temperatures, heavy rainfall, rising sea levels, melting of the permafrost, even hurricanes in places where they did not occur before.
As dream catchers, focused on a different and better future, they actually fulfill the task of parents, as the Ojibweg believe that making and hanging a dream catcher above the bed prevents bad dreams.
For centuries, indians have been making dream catchers to hang above their children's cribs or carrycots. It is believed that the sky is soaked with dreams, good dreams, but also bad dreams. During the night the bad dreams are caught in the web and according to tradition they slide off in the morning and dry in the morning sun. Good dreams can find their way unhindered in the center of the dreamcatcher and thus enter the dreamer's life.

This anthology gives a very varied picture of the way in which poets, from very different countries and continents, give content and form to personal but also other feelings and thoughts that affect themselves and humanity. They touch the core of existence.

Hannie Rouweler, editor Demer Press

***
An anthology of poetry is the unity of spiritual glimpses of souls of different worlds. It helps the reader to understand the waves of time and to repair and compare its perception by poets' sensations.
Even though incomplete, part of texts of each poet, it constructs an unity as a constellation of forms chosen by taste and randomity.
The pleasure of such a gift for the reader is very peculiar due to the metaphor and association of meaning that breaks the normative language. But in this case it is double: it breaks the frontiers of the sameness of cultures where from the spirit emerges.
Reading a book of so different authorship, poetic, is a journey in a research of a meaning via a new language, an adventure of understanding by personal sense in the differences of so many poetic discourses that unify a world by reperception of the perception.
Distinguished from many fields of the research, poetry comprises a component of the unknown, which is called inspiration, which connects with an element surplus, inexplicable, but so much necessary for the reproduction of spirit via emotions by figures.
Perhaps poetry is the only reality which transforms the perception via a genuine immanence which is called sensibility of self.

Mimoza Ahmeti (Albania)

***
In this painful moment, when the winds of war seem to awaken and bring back to mind the past ones, I feel I have to applaud with greater conviction than ever the initiative of Agron Shele, member of the Albanian Association of Writers and coordinator of the international Poetical Galaxy Atunis for publishing this new poetic anthology. Man of letters, passionate about culture, and above all about poetry, he offers through it the means to penetrate the hearts of men, to know their emotions and perceive their feelings
After all, what other means could operate this miracle?
So, here he is, once again to think of a collection of the most beautiful poems of contemporary authors whose time has already recognized glory to and for whom readers, from everywhere, express feelings of gratitude for having enriched the literature pages of our time.
Poets of both genders, from all over the globe, meet on these pages to offer the reader the flavour of their distant lands. Each with his/her sensitivity and specificity. This anthology is intended to be a mosaic made up of verses aimed at representing the whole world through a multiplicity of tones. It seems to hear voices intertwining, sounds of different languages, smells, colors of exotic places that rise to manifest the greatness of man in his most beautiful expressions and the beauty of creation.
We can find, here, poems that tell the cry or the smile, the joy or the pain. All attributable to the human experience that through different voices manifests its uniqueness.

Dr Maria Miraglia (Italy)

***
Universal literature focuses on Humanism. It also becomes a narrative of our historical times. Writers present aspects of our existence which impact us all in different manners. Poets in particular relate to suffering and joys. They are healers. Most of their expressions seek to convey notions (through the sublimation of the written word for poetry requires beauty) intended as a tool for transforming the thinking, the ideals, for a better world. Some sort of a magic wand or potion reaching all minds.

Luz María López (Puerto Rico)

***

Artists often argue about which one is more influential on us. Regardless of the arguments, every art has the task of bringing us closer to a higher perception and understanding of Life. To that idea, word, sound and form that will warm our souls and we will feel closer and happier. Poetry seems to be the most understandable and close. The word that can excite instantly.
The challenges of the thirties of the Third Millennium are also facing Poetry. These are factors that act on a spiritual, physical, emotional and intellectual level. They affect values and established frameworks in global society. Waves of negative emotions swirl in all directions of the horizontal and vertical of human and earthly society. Today the world is headed to the counterpoint of the metaphor Life. It looks like that.
And, unexpectedly, negative emotions and events are tamed in the new bright movement of poetic society around the world. He already has it. Here and now! Poetry invisibly stabilizes and neutralizes chaotic manifestations. Because She is clothed in the words of the Energy of creation. True Poetry is not a reflection of visible reality. It is the warm hand of the Creator, extended to people in this significant moment through the word.
What are the words in poetry that are important to man? Words that we call good. Words that make us rejoice, believe and hope. To laugh, to understand and to love. They give us answers to existential questions. Moreover, in Poetry there are answers that are given with very few words, or sometimes without words.
Poets are engaged in the eternal questions of existence by raising and landing thought, through questions and answers that often change the perspective of social prejudice. Seen through the prism of eternal present time. Through purity and harmony.

Rozalia Aleksandrova (Bulgaria)

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